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With Manets assistance, Monet[1] found lodging in suburban Argenteuil in late 1871, a move that initiated one of the most fertile phases of his career. Impressionism evolved in the late 1860s from a desire to create full–scale, multi–figure depictions of ordinary people in casual outdoor situations. At its purest, impressionism was attuned to landscape painting, a subject Monet favored. In _Woman with a Parasol – Madame Monet and Her Son_, his skill as a figure painter is equally evident. Contrary to the artificial conventions of academic portraiture, Monet delineated the features of his sitters as freely as their surroundings. The spontaneity and naturalness of the resulting image were praised when it appeared in the second impressionist exhibition in 1876.
_Woman with a Parasol_ was painted outdoors, probably in a single session of several hours duration. The artist intended the work to convey the...
打陽傘的女人 | 台中建案查詢網
撐傘的女人Woman with a Parasol | 台中建案查詢網
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